The new “West Side Story” doesn’t entirely answer the most obvious question, which is why essentially remake a 60-year-old classic.
Adapted by playwright Tony Kushner, the film — described as a “reimagining” of the original — possesses a grittier edge, directly connecting gentrification of New York’s slums in the 1950s to the two gangs battling over their shrinking turf as if their lives depend on it.
As an added bonus, the filmmakers have not only included Rita Moreno — an Oscar winner for the 1961 movie — as the drug-store owner, but cleverly expanded that role in a way that showcases her.
While the dance numbers are muscularly choreographed, Spielberg has tamped down some of the magic associated with director Robert Wise’s version, a decision evident when Tony and Maria first meet at the dance.
It’s no slight to the male cast members to say the women outshine them.
Of course, “West Side Story” has hardly been dormant in the intervening decades, with stage revivals and more high-school productions than anyone could count.
The film marks the first time Spielberg has tackled a musical in his storied and eclectic career, which makes the effort an occasion on that level.
Ultimately, “West Side Story” passes the “why” test and will likely leave fans debating which version they prefer.