Perhaps on a quieter path to awards season contention, but still no less deserving of their plaudits, Maggie Gyllenhaal’s “The Lost Daughter” and Paolo Sorrentino’s autobiographical “The Hand of God” make their way to the platform.
Perhaps on a quieter path to awards season contention, but still no less deserving of their plaudits, Maggie Gyllenhaal’s “The Lost Daughter” and Paolo Sorrentino’s autobiographical “The Hand of God” make their way to the platform.