“The Nutcracker,” the classic holiday ballet, is back after the long pandemic shutdown.
“Everybody learned a lot this year, and I just want to make sure there’s absolutely nothing that could ever be considered as insulting to Chinese culture,” said Mikko Nissinen, artistic director of Boston Ballet, who choreographed the ribbon dance.
At least one company, the Berlin State Ballet, has decided to forgo “Nutcracker” entirely this year amid growing concern about racist portrayals of Asians.
Performers and activists have called on cultural institutions to feature more prominently Asian singers, dancers, choreographers and composers.
In 2018, Chan began circulating a pledge titled “Final Bow for Yellowface,” which calls for eliminating outdated and offensive stereotypes in ballet.
KJ Takahashi, a City Ballet dancer who stars in the Tea scene in this year’s “Nutcracker,” which opened the day after Thanksgiving, said he welcomed the changes.
Peter Boal, artistic director of Pacific Northwest Ballet in Seattle, has been experimenting with ways to tone down Asian stereotypes in its “Nutcracker” since 2015.
At Butler University in Indianapolis, professors and students found themselves increasingly uncomfortable with the national dances, which they felt reduced cultures to caricatures.