‘Loki’ Star Wunmi Mosaku Dissects Key Moments and Reflects on ‘Lovecraft Country’ Impact

Since Mosaku has known Hiddelston since she was 18-years-old, she’s relishing the opportunity to be the only character in the TVA who isn’t falling for Loki’s charsima.

“Who she is, the subject matter of the show, working under the genius and bravery of Misha Green, I learned so much about myself, speaking up, speaking truth, my boundaries and what I need my boundaries to be, hard work and bravery.

“I was so scared of taking up space and time, and she and Zack were like, ‘Let’s work on this scene.

In a recent conversation with THR, Mosaku also discusses her two key moments from Loki‘s second episode, as well as how she shot B-15’s two altercations with Loki in the premiere.

With a character you don’t have that much information about, you try to find the balance of what her energy is.

I was just like, “Just tell me where to be, what to do and how to do it.” And then we kind of laid it on top of each other.

And in your third year, you’re a buddy to people in the school, but you actually have buddies who’ve graduated from RADA in the last 10 years and the last 50 years.

For my life, I would say moving to England, the birth of my niece and nephew and meeting my husband.

So when I was cycling past the library, it had been 16 years since the last footage of him walking away from that library, and I just remembered Damilola in that moment.

It was a moment I’ll never forget because it was one of the most magical things I’ve ever seen.

That was a very pleasant surprise! I really wasn’t expecting to be on the poster, let alone have my own.

Everything had to be perfect, and as we were getting closer and closer to the perfect timing, we could feel it.

I was actually basing my character on Tom’s Loki because of where we were in the story and what the audience knows and doesn’t know.

So much of it is in someone’s physique and how they hold their body, but you also have to find other things like the rhythm in how someone speaks or the twinkle in their eye.

Who she is, the subject matter of the show, working under the genius and bravery of Misha Green, I learned so much about myself, speaking up, speaking truth, my boundaries and what I need my boundaries to be, hard work and bravery.

I was so scared of taking up space and time, and she and Zack were like, “Let’s work on this scene.

I was really open to whatever it was going to be, but I knew it didn’t need me to be true and honest to the story it needed to tell.

But from doing Kiri, The End of the F***ing World and His House, my stuff has been able to be seen in the U.S., whereas before, it was only seen in the U.K.

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